![]() Practice playing in an unfamiliar clef, for example bass clef if you are used to reading treble clef. When this is easy, move on to more challenging keys and larger intervals. Start with pieces written in C, and play them only a half step or whole step lower or higher than written. Since you know the piece, you will recognize when you make a mistake. (Vocalists transpose at sight without even thinking about it, since they don't have to worry about different fingerings.) To practice this skill, simply start playing familiar pieces in a different key. Like any other performance skill, it can be learned with practice, and it is a skill that will help you become an extremely versatile instrumentalist. Transposing at sight means being able to read a part written in one key while playing it in another key. To turn a B flat part into an E flat part (B flat to E flat = down a perfect fifth), transpose the part up a perfect fifth.ĭo the correct transposition by interval, including changing the written key by the correct interval. To turn a B flat part into a C part (B flat to C = up one step), transpose the part down one whole step. To compensate properly, always transpose by moving in the opposite direction from the change in the part names. This may seem counterintuitive, but remember, you are basically compensating for the transposition that is "built into" the instrument. If you have a C part and want it to become a B flat part, for example, you must transpose up one whole step. Make sure you are transposing in the correct direction. The difference between an E flat part and a B flat part is a perfect fifth. For example, the difference between a C and a B flat part is one whole step. The written key signature has nothing to do with the type of part you have only the part's transposition from concert pitch (C part) matters for this step.įind the interval between the two types of part. Putting these facts together, you can now easily find any key on the piano! The piano key chart above will help guide you in case you get stuck.To Decide Transpositions for Transposing InstrumentsĪsk: what type of part am I transposing and what type of part do I want? Do you have a C part and want to turn it into an F part? Do you want to turn a B flat part into a C part? Non-transposing parts are considered to be C parts. Remember, an accidental (a sharp or flat) merely means to play the next higher or lower key on a piano, and that next key may be black or white. All black keys are either a sharp or flat, but not all sharps and flats are black keys. Many beginners are confused by this point, as they think that a sharp or flat means a black key. A flat (which looks like a lowercase ‘B’: b) means to play the next lower key. That next key can be either black or white. Now, a sharp (which looks like a pound sign: #) means to play the next higher key. These are the naturals, and they’ll serve to orient you. If you’re just learning the piano keyboard, first learn the middle row of white keys (C, D, E…). For a very convincing demonstration, listen to the examples in the article Piano Theory. Thus, F-sharp and G-flat might sound the same (on a piano at least), but they can have very different functions in actual music. The reason that all these different notes exist which are played by only one key on a piano is that it depends on how a composer uses them. This doesn’t mean that they’re all created equal. These notes (called enharmonic) are “close enough” in pitch that most people couldn’t detect any real difference anyway, so only a single piano key is used for all of them. Therefore, each possible note in Western music corresponds to one key on a piano, and in fact many different notes correspond to the same key. ![]() The piano would be impossible to play if it had separate keys for all the flats, sharps, double flats and double sharps. Hence, the first key in the chart could be C or B-sharp, or it could be D double flat or even A triple sharp! In fact, technically speaking there’s no limit to the number of notes that correspond to a given key on a piano. You’ll notice that each key has two different note names in the chart. If you only learn one thing about the piano key chart, make sure it’s this: The keys are not the notes (see Layout of Piano Keys). (Double sharps and double flats have been omitted, since the chart would otherwise get too confusing and do more harm than good.) If you’re just getting started, you might wish to start with the Piano Notes Chart… but be sure to return here! The chart includes naturals (C, D, E, F, G, A, B), flats and sharps. If you’re just learning to find notes on the piano keyboard, this basic piano key chart is designed for you. ![]()
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